Ένα σύντομο βιογραφικό του μεγάλου συνθέτη Aligholi:
Born in Tehran (1960), he started to study music (composition and playing the Trombone) with the Bulgarian Vanku Najdnof at the age of 14. A few years later he made his first compositions for TV series and stage acts.
Today , he is an established composer who has won numerous awards. He has written the scores of more than 140 movies including “So Close So Far”, “Nargess” and “Ghadamgah” which brought him the award for best soundtrack from the Int’l Fajr Film Festival in Tehran. Among his other compositions are “Rastkhiz” Overture on Rumi’s poems, “Noctural Songs” suite for 5 cello and soprano, “7Pieces” for seven flutes, “Love Seemed Easy” Overture for choir and percussion , Song on “Nima’s poems” for 5 basses and percussion, Earth Whisper and Gypsy Moon.
Released works (Hermes Records):
So Close So Far, Earth Whisper
Gypsy Moon, Qeshm Island
Αν και unofficial το video για το «Too Late Liar» των αγαπημένων Hellvar, μια χαρά πετυχαίνει τον σκοπό του:
Από το The Reykjavik Gravepine, η κριτική στο «Stop That Noise» των Hellvar, από τον Bob Cluness:
«Since their 2007 debut ‘Bat Out Of Hellvar,’ Hellvar have grown from a duo and laptop to a fully fledged band, with drums, bass and everything. And with their second album, they are setting out to ROCK very hard, like a fucker of mothers.
And yes, ‘Stop That Noise,’ does have plenty of rock components such as big drum rolls and squalling guitars. But for a ROCK album it feels too clipped, too constrained, too clean to really hit home. There’s a distinct lack of dirt going on here. Even Heiða’s vocals, while good and strong, are not particularly that rocking.
No, what ‘Stop That Noise’ is is a superior piece of pop-as-rock, just like their music spirit totem, Garbage. There are some really catchy tunes and lyrics on this album, although they do remind you of other tunes. ‘I Should Be Cool’ contains that stomp riff motif that’s been used by everyone from the Troggs to Transvision Vamp, ‘Falsetto’ has the cyber-pop feel of T.A.T.U, while I’m sure they got clearance from Janes Addiction’s lawyers to rework ‘Classic Girl’ as ‘Anna Amma.’
But despite this air of similarity, ‘Stop That Noise’ does show a clear progression from their first album and there’s definitely enough here to keep their fans interested. «
Το εξαιρετικό «After Ed.» από το «Kid Velo» του Rival Consoles:
Και ένα παλαιότερο anthem, από το ντεμπούτο του:
Από το Loud And Quiet, το review του Reef Younis, για το εξαιρετικό «Kid Velo» του Rival Consoles.
«Word counts are constrictive at the best of times but you particularly feel the pinch when an album reduces you to superlative plaudits. This is one such occasion because the jagged binary brainchild of Ryan L. West, ‘Kid Velo’, is more than just an album; it’s an 8-bit distillation of reverence, ambition and panache. Sizzling with circuit-blowing intent, it’s executed with the confidence of any electro heavyweight that nods to the gargantuan sound of Boys Noize and Justice et al. But from the broken rhythms and syncopated glitch beats of opener ‘Vos’, the Daft Punk funk of ‘Eve’, Star Guitar clap of ‘I Left The Party’, and mega-drive of ‘Amiga’, it’s an album that leaves the name dropping to others, simply because it can. If Digitalism’s return has upped the summer anthem ante, they’ve found a Rival Console to be reckoned with.»
Οι σπουδαίοι Naczynia, επί σκηνής:
Και ένα τραγούδι από το ντεμπούτο τους: